#Zombie driver summer of slaughter driver#
In a good film, they're a natural unity." - Peet Gelderblom "Clearly, this does not mean that Friday the 13th is more "valuable" than Jeanne Dielman But, given the great many people who have seen Friday the 13th, where is the intellectual dignity in saying, "it's crap", and being done with it? Anything that has become an iconic part of popular culture is therefore inherently worthy of exploration if not automatic respect If we simply throw it out with the bathwater, on the grounds that it isn't "artistic", we also throw out the possibility of ever finding out.Remember the original Zombie driver ( #1 #2) ? Today TiNYiSO released a new stand-alone addon for this game. "I suppose I think of film criticism the way I've heard Hebrew scholars describe their approach to the Torah: It's not about discovering dogma, it's about learning to ask meaningful questions, even if you can never fully answer them." -Jim Emerson "Style is supposed to express content, dammit-not disguise a lack of it! The meaning of a film is in what these images on the screen (and don't forget the sounds!) do to you while you experience them If you ask me, we should stop seeing style and content as separate entities.
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Plus, the opening 45 minutes is definitely a great piece of cheese that makes for a wonderful pizza and beer movie.
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Despite its uneven tone, Slaughter High is still a pretty good slasher that didn’t piss me off with its cop-out ending.
#Zombie driver summer of slaughter movie#
Now, the big reveal at the end helps explain this tinge of nihilism, but I was still shocked when a movie that seemed so content on just being another light-hearted slasher affair (especially for 1986, an era in the subgenre where EVRYTHING had been done to death) ended with no female survivors, a doctor getting a syringe in the eye, and the killer staring into the camera while he peels a chunk of skin off of his face. It’s part April Fool’s Day and part legitimate slasher. This inconsistent tone actually lends the film a bit of eeriness that it otherwise doesn’t seem too interested in establishing. There are no survivors in this film, no Final Girl, and really no explanation as to why such a cheesy movie contains such a nihilistic ending. It’s also kind of dark I mean, yes there are requisite false scares and the plot is the old chestnut of the prank gone awry causing people to die ten years later at a reunion, but I was surprised by the end of the film. What struck me most about Slaughter High was that despite the necessary later-era slasher requirements – boobs, booze, and blood – there’s actually a well constructed chase scene at the end and a pretty damn bizarre musical score that makes the film standout above its peers. Sure, the film’s production isn’t that great, and the actors (mostly Brits doing a Yank’s accent) are universally awful, but there are enough clichés at play here to make this one go down easier than most slashers that take themselves too seriously. And the reason may be because the film doesn’t take itself seriously at all and contains just enough slasher cheese to make the 80 minutes go by in a flash. For a slasher from 1986, Slaughter High is better than it has any right to be.